Hours: 7-11 pm
Costs: 20 Euro for the evening.
At Teatris/Alte Kantine or in our ‘Mini- Dojo’. Both locations are at
Uferhallen Kulturwerkstatt in Wedding. Staircase b/c, Uferstraße 8-11, 13357 Berlin
U8 Pankstr/U9 Osloerstr
Please call when you are in the court yard, in case you don’t find it, or the door is locked:
+ 49 174 393 70 49.
PLEASE REGISTER BEFOREHAND, THAN WE SEND YOU THE DETAILS!
Some time last year Flora invited us to the Viennese Rope Festival. Reading the program, I absolutely wanted to meet Kamijoo Saki. She is a most interesting rope master, owner of a bar by Osaka, guitarist and singer of a rock band. She is considered one of the fastest riggers (truly fast! :) and she gave me most precious insights to her way of using ropes, and some secret tricks for performance.
Schnucki das Rennpferd and I performed a new version of SHIBARI EXPRESS on Saturday night. For these 30 minutes we tried an unconventional progression in the air, with an super high suspension point. Discussing late into the nights how to integrate more circus-like suspensions into a theatrical setting and still finding a sensual connexion.. We ended up a cat tying dog :)
The festival a slightly challenging frame, since the audience was rather traditional (even though the organisers are not!). Which yea, in bondage terms still means strong guys tying girls!
Except there was this really sympathetic group from Düsseldorf who came across as frankly open :) , and of course the experimental group Vienna Thermostat, and also Yoroi Nicolas with his partner I much enjoyed watching.
Another favourite performance was Barkas’ and Manuela’s. Both being simply good performers, and super sweet in how they made a sort of tango-seduction story around advanced and playful Shibari, I love seeing how clear Barkas guides his ropes.
We also did two days of Kamijoo Saki’s workshops. One was meant to be a masters class with focus on ‘Japanese Torture Bondage’, a rather different approach than Yoga and Shibari.
Together with Joy, her translator, and a Japanese ‘model’, they made an extremely charming team! She talked a lot about the historical reasons for this rough (especially from the outside) idea of bondage, which for her is still the real Shibari, in contrast to a sort of wellness approach prevalent in Europe.
(Yes! I am reconsidering my ‘general care approach’ at the moment, but certainly keep valuing it for the right moments! ) Unfortunately the masters class was quiet poorly attended, and non of the other Viennese masters were there, and I keep wondering why?
Other than that I thought a spontaneous self-suspension workshop on Saturday. A funny and mixed crowed of people. Some of them kept tying themselves all afternoon. Especially this younger guy, which was touching, since normally its still more a woman thing. But yea, things are changing ;) !
Back to Berlin with a stack of new input to experiment and digest. Here are some moments, and more photos to come…
Hours: 7-11 pm
Costs: 20 Euro for the evening.
At Teatris/Alte Kantine or in our ‘Mini- Dojo’. Both locations are at
Uferhallen Kulturwerkstatt in Wedding. Staircase b/c, Uferstraße 8-11, 13357 Berlin
U8 Pankstr/U9 Osloerstr
Please call when you are in the court yard, in case you don’t find it, or the door is locked:
+ 49 174 393 70 49.
PLEASE REGISTER BEFOREHAND, THAN WE SEND YOU THE DETAILS!
Hours: 7-11 pm
Costs: 20 Euro for the evening.
At Teatris/Alte Kantine or in our ‘Mini- Dojo’. Both locations are at
Uferhallen Kulturwerkstatt in Wedding. Staircase b/c, Uferstraße 8-11, 13357 Berlin
U8 Pankstr/U9 Osloerstr
Please call when you are in the court yard, in case you don’t find it, or the door is locked:
+ 49 174 393 70 49.
PLEASE REGISTER BEFOREHAND, THAN WE SEND YOU THE DETAILS!
Angela and Jared are performing ‘Soon you are Theirs’
(a retrospective) in Luzern. As part of this there will be concert performance with music by Evje and Bondage by Dasniya.
When: 31.1.2015,7 pm Große & Mittlere Halle
at Südpol, Luzern
Two evenings to rehears Untangle with Angela Schubot, Jared Gradinger, and the band Evje Luxurious but also necessary after nine month break. “It feels familiar and yet alien,” Angela says, to hand herselfs over and to twin fly for about half an hour. Jared loves how the show seems to run by it self, no preperation, doing nothing, just baring and enjoying to space out.
Hours: 7-11 pm
Costs: 20 Euro for the evening.
At Teatris/Alte Kantine or in our ‘Mini- Dojo’. Both locations are at
Uferhallen Kulturwerkstatt in Wedding. Staircase b/c, Uferstraße 8-11, 13357 Berlin
U8 Pankstr/U9 Osloerstr
Please call when you are in the court yard, in case you don’t find it, or the door is locked:
+ 49 174 393 70 49.
PLEASE REGISTER BEFOREHAND, THAN WE SEND YOU THE DETAILS!
Janelle Dumalaon was writing about the last y/s workshop in Berlin on Deutsche Welle:
“Poor, but sexy” is no understatement for Berlin. Since the Roaring 20s, the German capital has been known for its anything-goes take on sex. As DW’s Janelle Dumalaon found out, sexual freedom can come with restrictions.
It’s the middle of the week and I’m hanging suspended from a ceiling somewhere in a converted hangar complex in Berlin-Wedding. Ropes crisscross my chest and waist and I’m trying to concentrate on ways to describe the sensations I am experiencing.
“How are feeling?” asks Tim, my partner.
“Unghh. Unghh. Nghh!”
And that’s me – 28 years old, educated in a Jesuit Catholic school, and raised with the conservative, traditional family values considered the bedrock of society in the Philippines, where I’m from.
Now, I wouldn’t consider myself conservative by any stretch. I find Berlin’s sexual openness and embracement of nudity a refreshing contrast to my personal background of Catholic, abstinence-only education, where skin is a letter away from sin. Nevertheless, Berlin will challenge just about anyone’s opinions on sex.
Sex shops galore
Not far from where I live in Berlin, there’s Other Nature, which describes itself as a “feminist, queer-oriented, eco-friendly, vegan sex shop.” I’ve been inside a few times, marveling at the array of alternative menstrual products and environmentally friendly sex toys.
I’ve wondered what would happen if someone put up a similar shop in my neighborhood in the Philippines, where everyone sees everyone at church. “These sex toys are immoral!” I can hear my neighbors shouting. “Why? They’re eco-friendly!” the well-meaning but culturally uninformed proprietors would reply.
It’s not like I’ve seamlessly blended into Berlin’s freewheeling sex life. I have yet to visit – even as a spectator – the KitKat Club, famous for the unfettered sexual activity among its patrons. I also don’t really see myself ever playing naked volleyball in the park.
A mat and strong ropes are essential to shibari yoga
But until recently, bondage yoga wasn’t on my to-do list either, but here I am.
Berlin in bondage
Back to the shibari yoga class, where I’m straining under my own weight. I’ve learned shibari is a 16th-century Japanese bondage art, formerly used by samurais to keep captives in check. Since then it’s evolved into a form of erotic play with ropes, a specialised kind of BDSM, if you will.
To me, shibari yoga is quintessentially Berlin. It’s as if someone took the spiritual hipness of Berlin’s countless yoga schools and combined it with the city’s frank sexual expression to form a new erotic art form.
But I’m not convinced that it’s a perfect fit. To my mind, yoga is about movement, bondage about restriction. One evokes images of peace and serenity, the other of pain and violence. However, I’ve been told they’re not that different.
Rewind to earlier that evening. I am sitting in a café with Dasniya, a ballet-dancer-model-yoga instructor-bondage artist.
“Yoga is bondage,” says Dasniya. “Yoga can be brutally painful; meditation can be quite intense and difficult. Bondage can be quite calming and comforting, an exercise of trust. It’s not about harm.”
Dasniya’s father was a Thai monk, and yoga was a family affair from the time she was a small child growing up in Germany. From then on she makes it sound like dance, choreography, and BDSM were a natural extension.
“It’s a lot of playing with identity,” she explains.
How does her family feel about her combining their spiritual tradition with bondage? She smiles:
“They don’t really want to know what I’m doing in detail. They just want to know I’m spiritually and mentally happy.”
Peaceful brutality
Minutes later, I’m sitting cross-legged with around 15 other participants on neon-green yoga mats, with two small bundles of rope neatly arranged before each of us. We start with breathing exercises and make our way through different standing yoga poses, or asanas. Seated again, we are asked to unravel the rope bundles, and rub the tangled mess on our bodies.
I self-consciously rub a fistful of rope under my armpits, like everyone else. I sneak a look at Tim, who is sneaking a look at me. We both visibly try, and fail, to suppress giggles. I look at Dasniya, fully expecting a look of disapproval for blocking the class’s collective spirit, or whatever you get in trouble for in yoga bondage class.
But she’s smiling, and I’m relieved to know we’re allowed to laugh. It’s permission to deal with my staggering awkwardness, and I take it with relief.
We use the rope in other ways, standing and hooking the rope under our feet while standing, pulling its ends to help us stretch further downward, or stretching our legs to our faces while lying on our backs.
Yoga is brutal, I think to myself. But I would feel a lot more meditative if my hamstrings weren’t screaming.
Beyond Boy Scout knots
Eventually we come to the shibari part, which involves using the ropes in intricate ways to encase a person in aesthetically pleasing knots – which are also strong enough to hold that person suspended from the ceiling.
Knotting the ropes just right is an art in itself
“Think of the ropes as a particularly firm hug,” Dasniya said. A quick conference, and Tim and I agreed
I would be firmly hugged first. The knots were easy work for him.
Soon, my ropey hug was knotted to other ropes suspended from a metal ring dangling from the ceiling, and then I was dangling too. Now what? To my right, a woman was lying close beneath her suspended partner, rocking him softly. I looked for Dasniya. Her partner was tied to a chair, both suspended and pitched forward. The emerald green sweater Dasniya was previously wearing over her shirt was arranged over her bound partner’s eyes.
“Maybe I can play Superman?” I ask Tim. He sighs, but gives me a push. I swing heavily through the air with my arms outstretched. Soon I’ve had enough of being neither bird nor plane, and think it’s my turn to do the tying.
But I have a harder time with the knots than Tim did, and I feel like I’ve just failed spectacularly at a macramé class. He sits patiently as I loop a rope around his chest and shoulders and mutter instructions to myself. Man, was I sexy.
“I’m a little bored now,” Tim admits, after one side of my creations sags downward in a clear case of faulty rope engineering. But perseverance triumphs over butter fingers and I finally have Tim up on the ring. I gather him in my arms, run, and release him with a flourish.
Tim crashes into some chairs before swinging wildly back to the starting point. I scramble to take the chairs away before he swings back.
Liberating restriction
At least we got the Rule Nr. 1 right: Have fun. It was the space I found to be who I was – a little stiff, too self-conscious for great displays of physical emotion, but curious enough to experiment in ways I wouldn’t have in the Philippines.
Maybe someday I will be able say, “body-bound, but spiritually sound” and maybe even mean it in a shibari yoga context. But for now, I have tried another way to get to know myself in Berlin, in a way that I may never have tried at home. If shibari yoga has taught me one thing, it’s that sexuality and spirituality are flexible concepts to be shaped by choice, practice and curiosity – and that even restriction can be liberating.
Hours: 7-11 pm
Costs: 20 Euro for the evening.
At Teatris/Alte Kantine or in our ‘Mini- Dojo’. Both locations are at
Uferhallen Kulturwerkstatt in Wedding. Staircase b/c, Uferstraße 8-11, 13357 Berlin
U8 Pankstr/U9 Osloerstr
Please call when you are in the court yard, in case you don’t find it, or the door is locked:
+ 49 174 393 70 49.
PLEASE REGISTER BEFOREHAND, THAN WE SEND YOU THE DETAILS!
Am Wochenende gab es ein Revival von Mars Attacks! Und ein freudiges Wiedersehn mit den Horas. Zwei schöne Vorstellungen in Frankfurth am Main im Mousonturm.
Und nächstes Wochenende gibts uns gleich nochmal, am Schauspielhaus in Zürich.
Kommt zu Hauf bevor das Stück in den Winterschlaf geht:
So, 30. November 19.15 – 21.00 Uhr
Mo, 01. Dezember 20.15 – 22.00 Uhr
Ein brutaler Science-Fiction-Klassiker, als Postkartenkaugummibilderbuch in den 1950er-Jahren veröffentlicht und immer wieder zensiert wegen seiner jugendgefährdenden Inhalten. Generationen erfreuten sich an den fiesen Marsmännchen, die die Erdenbewohner auf alle erdenklichen Arten quälten, folterten und vernichteten und dabei immer besonders an den menschlichen Prominenten und den amerikanischen Frauen interessiert waren. In diese psychologische Schieflage von Projektion und heimlichen Wünschen dringen nun das Theater HORA aus Zürich zusammen mit dem Helmi Puppentheater aus Berlin ein, um eine surreale Performance um heimliche Wünsche, Abgründe und das Ende der Menschheit zu erfinden. Das Besondere an der Konstellation: Beim Theater HORA handelt es sich um das berühmteste Behindertentheater der Welt und beim Helmi um das Theater mit den hässlichsten Puppen der Welt und einer unberechenbaren Gruppe von genialen Einzel-Autodidakten.
Wer soll von diesen beiden Gruppen die Ausserirdischen spielen, wo beide Parteien behaupten, nur Menschen spielen zu können? Schon bilden sich neue Allianzen, im Spiegel der Gegenseite fängt man an sich zu verändern – es entstehen Vereinigungs- und Entgrenzungssehnsüchte: Wer entführt wen? Wer manipuliert wen? Wer ist überlegen? Wer ist freundlich? Wer nicht? Was sollen die Umarmungen? Bald wird klar, dass die normalen Zuschreibungen nicht funktionieren und das man nur auf dem Wege der harten Erfahrung (reality proof concept) herausfinden kann, was in Wahrheit geschah beim Aufeinandertreffen mit den Ausserirdischen.
Gastspiel eines Gemeinschaftsprojekts von Theater HORA, Zürich, und Das Helmi, Berlin, im Rahmen von „Nervous Systems“