Open Studios

HAUS SOMMER is open at:

How to Stay Tuned – Open Studios
1. Juli 2023, 15 – 21 Uhr

Eine Kooperation des Neuen Berliner Kunstvereins (n.b.k.) mit dem Uferhallen e. V. im
Rahmen des Kultursommerfestivals 2023

Mit / With:
Elena Alonso Fernández, Quirin Bäumler, Atelier Biotti / Ferrero / Grassetti / Prati / Szaflarski, Studio Antje Blumenstein, Peter Böhnisch, Peter Dobroschke, Heiner Franzen, Wolfgang Ganter, Matthias Galvez, Harriet Groß, Asta Gröting, Christian Henkel, kennedy+swan, Rainer Neumeier, Manfred Peckl, Hansjörg Schneider, Bettina Scholz, Atelier Kerim Seiler, HAUS SOMMER / Dasniya Sommer, Studio dB X Weberei (Rasmus Bell, Charlie Casanova, Timur Novikov, Josua Rappl, Caleb Salgado, Noël Saavedra, Johannes Weymann, Sebastian Zimmerhackl), Friedemann von Stockhausen, Daniel M Thurau, Ria Wank, Norbert Witzgall, Susanne Zeile.

Programm:

16:30 Uhr
Führung mit Adrienne Goehler, Kuratorin der Ausstellung “Zur Nachahmung empfohlen!”
(Uferhallen)

18 Uhr
Performance ODC un-ready made #1: shifting and drifting von David Brandstätter mit Michiyasu Furutani, Sofia Casprini, Camille Chapon, Sophie Prins, Nora Varga u.a. (Uferhallen)

20:30 Uhr
This Space In Between Performance von Kallia Kefala mit Minh Duc Pham und Katerina Papachristou
(Uferstudios)
21:30-23 Uhr:
How to stay Tuned – Open-Air-Screening
mit Werken von Pauline Boudry / Renate Lorenz, K.H. Hödicke, Anetta Mona Chisa & Lucia Tkácová, Rosalia Müller / Michael Geißler, Kristina Paustian, Rotraut Pape und der Weltpremiere einer neuen Arbeit von YOUNG-HAE CHANG HEAVY INDUSTRIES aus der n.b.k. Videokunstsammlung mit einer Einführung von Anna Lena Seiser (Leiterin n.b.k. Video-Forum)

 

Yum Yum rehearsals

Working out shibari logistics at Haus Sommer. Quiet a brain hack, but doable with this amazing team: Yui Kawaguchi, Fungi fung, Tara Jade Samaya.
Photos: Pippa Samaya.

Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and Media within the program NEUSTART KULTUR.

E267 (AT)

 

Von Wasser zu Suppe

In einer erstmaligen Kollaboration arbeiten die Choreographin Dasniya Sommer, die Tänzerin Tara Jade Samaya die Tanzdramaturgin Juli Reinartz und der Performer Michael Schumacher an der egalitären Entwicklung einer originären Performancesprache, die das Verhältnis von un/gesunder Ernährung und normierenden Körperbildern von Menschen mit/ohne (sichtbarer) Behinderung reflektiert. Dabei ist es besonders der gesellschaftliche Stellenwert von Essen, der  als theatrale Metapher genutzt wird. Ausgangspunkte des Prozesses sind die künstlerischen Kontexte der drei Tanzschaffenden, sowie das virtuose Sprech- und Sprachverständnis des Darstellers M. Schumacher / Meine Damen und Herren Ensemble.

INITIAL 2 – Neue Kooperationen. Ein Sonderstipendium der Akademie der Künste zur Förderung der Entwicklung und Recherche künstlerischer Projekte während der COVID-19-Pandemie im Rahmen von NEUSTART KULTUR.

Photos by Pippa Samaya.

Autonomous Avatar

Rehearsing for AUTONOMOUS AVATAR  by Tobias Staab, a rather complex dance / AI project. A little overwhelming but certainly inspiring to animate butoh-inspired digital avatars on Nadja Sophie Eller’s stage. I am looking much forward to be performing with Corey Scot Gilbert in the full dome Planetarium Bochum.

avatar (/ˈavətɑː/)
noun

1. Hinduism: a manifestation of a deity or released soul in bodily form on earth; an incarnate divine teacher.

2. an icon or figure representing a particular person in a video game, internet forum, etc.

Machines learn to walk, dance … think. Who can still distinguish whether a human or a computer is speaking or writing? In times of Deep Fake, can images still be trusted? Power relations are becoming relative. We have known for a long time that everything we read also reads us. But how intelligent is “artificial intelligence”?
AUTONOMOUS AVATAR poses questions about subjectivity and autonomy, control and subjugation in the context of an immersive dance performance. Live dancers encounter their human and their digital bodies.
The interdisciplinary project tries to make the relationship between human and technology sensually tangible and to connect it for the first time with the recently gained possibilities of a dialogue with an Artificial Intelligence.

press-link: junge-buehne.de

Direction, Text, Concept: Tobias Staab
The choreography was developed in close collaboration between Tobias Staab and the dancers Dasnyia Sommer and Corey Scott-Gilbert.
Performers: Corey Scott-Gilbert & Dasniya Sommer
Voice: Sandra Hüller
3D-Design: Luis August Krawen
Music: Beni Brachtel
Stage Design & Concept: Nadja Sofie Eller
Costume Design: Annika Lu Hermann
Motion Capturing: Warja Rybakova
Light Design: Matthias Singer
Fulldome Expert: Tobias Wiethoff

Funded by: Beauftragte der Bundesregierung für Kultur und Medien / NEUSTART KULTUR, Dachverband Tanz Deutschland / Tanz:digital
Produced with support by: DOCKdigitalLab, Planetarium Bochum

Fleetstreet Residenz

Very lucky to start working with Michael Schumacher/Meine Damen und Herren Ensemble on Glutamat 2.
It has been a long way to make this collaboration happen. Our research is based on combining Michaels text performance and his auratic presence when he speaks with different movement approaches. We developed a way to dance and rope-tie together, and some dramatic scenes with somewhat absurd poetry. There have been scenic ideas for a Care-Pas de Deux, plenty of sculpturous moments, and a wellness noodle bath.
We continue working on the material all through the year for a show in 2023.

Many thanks to Meine Damen und Herren, especially to Christoph Grothaus and Simone Burkhardt. And to Mark and Sina Schröppel.

Supported by Fleetstreet Theatre Hamburg, the Hamburgische Kulturstiftung, Kulturbehörde Hamburg and the Rudolf Augstein Stiftung .

Fleetstreet Residenz

Fleetstreet Theater Dasniya Sommer Choreografie Michael Schuhmacher Meine Damen und Herren -Tanz-Theater Shibari

Mit ihrer ersten gemeinsamen Kollaboration Gluatamat:2 erarbeiten die Berliner Choreographin und Tänzerin Dasniya Sommer und der Hamburger Performer Michael Schumacher ein so persönliches wie sinnliches Duett. Sommers tänzerischer Umgang mit der japanischen Bondagevariante Shibari und Klassischem Ballett trifft dabei auf das virtuose Sprech- und Sprachverständnis des langjährigen Mitglieds der inklusiven Performancegruppe Meine Damen und Herren.

Zusammen kreieren die beiden eine so abstrakte wie düster-humorvolle Choreographie. Verkaufsverpackungen und individuelle Schicksale gesellschaftlich Randständiger werden metaphorisch auf irritierende Weise verknüpft. Bewusst spielen die beiden mit einem individuellen Verständnis von Zeit. Der zusammen gesponnene Erzählfaden gibt den Takt ihres tänzerischen Rhythmus vor. Zärtliche Shibari Meditationen wechseln sich ab mit unterspannten Crip Time Duetten und absurden Ritualen.
Parallel entsteht aus großformatigen Drucken, Bambusstäben und Juteseilen eine begehbare Installation, deren grelle Ästhetik gleichermaßen mit kapitalistischem Genussversprechen und familiärer Geborgenheit spielt.

Ihre Abschlusspräsentation im Fleetstreet Theater am Mittwoch 29. Juni 2022 um 19.30 Uhr. Die Bar ist ab 19 Uhr geöffnet!

Admiralitätsstr. 71
20459 Hamburg

www.fleetstreet-hamburg.de

‘Creamcake’ is coming up

Looking much forward to start rehearsing with Gestalta for a show at Creamcake’s 3HD Festival.

Neoliberal digital society is permeated by power and violence. These structures and dynamics required to survive in capital-oriented societies can be counter-read in abstract form with sadomasochistic practices. Now in it’s seventh edition, Creamcake’s 3hd Festival approaches the transgressive phenomenon of contemporary BDSM, kink and its varieties of exercises in force and control through art, music, performance and film. This year’s “Power Play”—running from October 2 to 10, and happening at various venues across Berlin and on the internet—considers the perception of a sexuality that defines itself as ‘play’. That is specifically in relation to notions of dominance and submission as socially-negotiable within sadomasochistic cultural techniques.

Thank You For Your Effort..

Preparing ropes for the overture of Liz Rosenfeld’s and Rodrigo Garcia Alves’ current project at Sophiensaele.

DANCE/PERFORMANCE
This hospice is a dune, a neighborhood, an ocean, a meal, a club, an orgy, a cinema, a cruising ground, a long flight, and a lifelong embrace. This hospice is us, them, ours, no ones and yours. This hospice is unknown, and will continue to change.

In their first duet for the stage, Rodrigo Garcia Alves and Liz Rosenfeld explore their desire to understand and create their future hospice together. For this, they drag objects, stories, projections, fantasies, and experiments crafting future worlds for each other through experimental dance, text and video practices. Hailing from Brazil and the United States, Rodrigo Garcia Alves and Liz Rosenfeld met in Berlin almost a decade ago, and began to collaborate in their desires, experiences and stories connected to a queer position on death, dying, end-of-life care. What are the possibilities during this period of life regarding support for queer kin and families who are not related? How do we want to be seen and perceived in this vulnerable phase of life?
Together, they expanded these questions and met with different kinds of artistic practitioners who work with death in both pragmatic and creative ways: a palliative doctor, a death doula, a choir director, a bondage expert and a tattoo healer, among others. From these conversations Rodrigo Garcia Alves und Liz Rosenfeld have built their current hospice, this duet for the present.

PERFORMERS, CONCEPT AND DIRECTION
Liz Rosenfeld & Rodrigo Garcia Alves ORIGINAL MUSIC Colin Self LIGHT DESIGN Catalina Fernández COSTUMES AND SET DESIGN Cardo Matos DRAMATURGY Season Butler ARTISTIC ADVISORY Valerie Renay PROP-MAKING Clarisse Canela SEAMSTRESS Dores Maués ARTISTIC ASSISTANCE An*dre Neely BONDAGE EXPERT Dasniya Sommer ARTISTIC SUPPORT/ HOSPICE DOCTOR Christian Küllmei ARTISTIC SUPPORT/PRODUCTION Maicyra Leão VIDEOGRAPHERS TINT Collective PRODUCER Joseph Wegmann