Yea! I am very glad to announce that the Dachverband Tanz has granted my ‘Dis-Tanz Solo’ scholarship, a promotion programme for freelance creative-dance artists.
The program supports my artistic reorientation from dancing and performing towards focussing on choreographic work for nine month.
On this blog and on social media I will document my research material. The first tutorial or live stream podcasts will be end of January 2021.
Gefördert durch die Beauftragte der Bundesregierung für Kultur und Medien im Programm NEUSTART KULTUR,
Hilfsprogramm DIS-TANZEN des Dachverband Tanz Deutschland.
For the closing event of Tanznacht Berlin 2020, two very different female artists have been invited to combine their practices: Mmakgosi Kgabi is a voice-over artist who finds ways of embodying language and speech with her own «(Dance) Encyclopedia of the Mouth». Dasniya Baddhanasiri is a ballet dancer and choreographer who runs a dojo in Wedding in the Japanese art of Tight Bondage.
In «An Unboxing Ballet Beat», Mmakgosi Kgabi and Dasniya Baddhanasiri conduct an open, body-voice dialogue, simultaneously breaking down sentences and ballet vocabulary to create a rough working environment. By their reciprocal approach of bodily listening, they open spaces in which processes of connecting and dividing occur equally, in parallel. The audience is cordially invited to engage with this exchange and to join the artists on their journey through a space-time continuum full of surprises.
Mmakgosi Kgabi is a trained physical theatre and improvisation performer and also a performance facilitator. Her work often interrogates the premise of identity and nationalism, revisiting themes on the Black Female Body Politics and Migration.
The choreographer Dasniya Baddhanasiri researches movement from the perspective of the dancer. Her primary interest is the redefinition of body images, which she seeks within a physical and cultural spectrum ranging from Japanese bondage art to deconstructed ballet practice.