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Storia Infinita

Eliko moves and suspends between geometric plastic plates. Moss-swings and passepartout underlay for organic material alternating with skin serving as intimate surface. Meanwhile woollen clouds are hanging from the ceiling, and Fuchur slowly dissolves.

Model: Eliko
Fotos: Werner Amann
Support: Iman.rhv
Space concept + ropes: Dasniya Sommer

 

 

Performance: Bellied

 

A few rehearsals and special concentration with Corey Scott-Gilbert / vaL for his new solo work Bellied during Art Week / PERFORM! 2025.

When: Sunday, September 14th at 3pm.
Where: Terrasse Neue Nationalgallerie

Music and sound design: Turkana
Dramaturgie: Dasniya Sommer
Costume: SADAK

Photos: Neue Nationalgallerie and fottomatti

Autonomous Avatar at Festival der Zukunft

On tour at ‚Festival der Zukunft‘ – enjoying our 10th show and arriving at a mind set where dancing it becomes second nature. Walking on stage and just do it.

Date: Friday July 4, 2025
Location: Deutsches Museum München/ Planetarium
Time: 19 Uhr

Direction, Text, Concept: Tobias Staab
The choreography was developed in close collaboration between Tobias Staab and the dancers Dasniya Sommer and Corey Scott-Gilbert.
Performers: Corey Scott-Gilbert & Dasniya Sommer
Voice: Sandra Hüller
3D-Design: Luis August Krawen
Music: Beni Brachtel
Stage Design & Concept: Nadja Sofie Eller
Costume Design: Annika Lu Hermann
Motion Capturing: Warja Rybakova
Light Design: Matthias Singer

Funded by: Beauftragte der Bundesregierung für Kultur und Medien / NEUSTART KULTUR, Dachverband Tanz Deutschland / tanz:digital. Produced with support by: DOCKdigitalLab, Planetarium Bochum

Premiere: War Games @ Münchener Kammerspiele

 

Choreographing for WAR GAMES by Skart at Münchener Kammerspiele.
After a longterm rehearsal process, stretching over two years, with 12 devoted teenagers from Munich, we opened yesterday with a blast. There are two more shows at Therese-Ghiese Halle this week end:

Premiere June 26, 2025 at 19.30h
Saturday 28, at 19.30h
Sunday 29 at 16h.

Theatre of the new generation

War is as old as mankind. For 300,000 years, there has been fighting somewhere in the world – despite all the cries of “Never again!”. Why can’t mankind break out of this spiral? “War Games” examines war as a performative cultural history and social vicious circle. Together with children and young people, SKART questions power, violence and the rules of the game. The result is a multi-layered performance with theater, video, sound, costumes and stage design – perhaps even dance. But “War Games” is not children’s theater. SKART and the team deal with “adult topics” on a radically equal footing: What is violence? What does it do to us?
Humorous, provocative, intense – SKART is one of the most innovative groups working with children and young people in the German theater scene. “War Games” is art, education and a social statement at the same time. SKART gets involved – with a bang!

SKART & Friends Charlotte Heidenreich (Performerin), Stephan Janitzky (Künstler), Anton Kaun (Video- & Noisekünstler), Deniz Khan (Musiker), Lea Letzel (Künstlerin & Pyrotechnikerin), Janne Plutat (Kostümbildnerin), Mark Schröppel (Performer & Theatermacher), Dasniya Sommer (Tänzerin & Choreografin), Henrik Weber.

With Karla Bacher, Lionel Barth, Isaac de Mercey, Sophie Einloft, Milan Glück, Anna Haas, Emma Konrath, Lukas Lauser, Nala Ouaffi, Melanie Siebs, Jakob Waldow.

Artistic Production Management: Elke Bauer, Daniela Schroll
Technical Production Management: Richard Illmer
Stage Management: Thomas Graml, Josef Hofmann
Lighting: Wolfgang Eibert, Yongwoo Kwon, Christian Mahrla, Louis Nickel
Sound Paolo Mariangeli, Alejandro Nieto
Video: Technician Julia Römpp
Carpentry: Florian Thoma
Props: Julia Molloy
Costume: Janne Plutat
Make Up: Jannes Donner
Stage Manager: Hanno Nehring
Photos: Judith Buss

Raven with Long Covid

By Showcase Beat Le Mot

Dates: Thu + Fri 19. + 20.December 2024. And Sat + Sun 4. + 5. Januar 2025.
Trailer, German text and tickets here .

“Breathe in, breathe out. Find a niche in the brutal world until the storm has passed. Breathe in, breathe out. Dealing with the authorities, healthcare forms. Noise & light are no longer a simple joke, but nasty everyday hurdles. Breathe in, breathe out. What happens when the limits of consideration meet the limits of perception? Breathe in, breathe out.”

“Raven” is a symposium, gathering and performance about peak performance and the question of what happens when nothing else works. The frame of reference is the chronic illness ME/CFS, as a chronicised form of Long Covid. Sick and non-ill artists are involved in the conception and design of the event series with various contributions. The title refers on the one hand to the dance and party culture of the 90s, and on the other to the claustrophobic fantasies of forced standstill as sketched by E.A. Poe in his famous poem of the same name.

Over four days, “Raven” creates space for the art that is created with and despite ME/CFS. ‘Raven’ is explicitly designed for sick people, companions and allies, as a theatre in a reclining position, with quiet spaces and landscapes with reduced stimuli.

Cast

Concept, realisation: Showcase Beat Le Mot / Artistic collaboration: Florian Feigl, Christopher-Felix Hahn, Albrecht Kunze / Performance by and with: Philip Albus & Ana Berkenhoff, Catherina Cramer, Katharina Cromme, Gosia Gajdemska, The Millennial Midlife Crisis, Malin Harff, Stephan Hellweg, Clara Heinrich, Anja Ibsch, Sunniva Innstrand, Ania Kolyszko, Josephine Lange, Sophie Lenglachner, Roxane Llanque, Romy Lutze, Sebastian Meissner, Dana Müller, Rebekka Muth, Leonard Nadolny, Carolin Ott, Crash Theater, Johanna Pigors, National Ballet of Kosovo, Julia Sandforth, Louisa Schiedek, Lilia Schliephacke, Showcase Beat Le Mot, Elisabetta Solin, Dasniya Sommer, Birte Viermann, Mirjam Wählen, Sebastian Warne, Lisa Wiedemann, Erik Zürn, 4 Faule Frauen, Dania Alasti, Toni Kritzer, Moritz Andreas Bürge, Amar Halilović, Lukas Kahn Kesler, Black Ferk Studio (Matthias Mollner, Judith Schößbock) /Technical direction: Bart Huybrechts / Production management: Olaf Nachtwey
Photo: Michael Shenbrot.

Production: Showcase Beat Le Mot. Co-production: HAU Hebbel am Ufer. Funded by: Berlin Senate Department for Culture and Social Cohesion, Hauptstadtkulturfonds.

Tanzpraxis Research: Para Ju Jitsu WM in Crete

 

Heraklion

An inspiration journey with Fungi Fung. A while ago Fungi said she is eligible for the BJJ (Brasilien Ju Jitsu) Para World Championship in Crete this year. Do it! I said, but the registration turned out too pricey. Take these dollars from the Tanzpraxis scholarship, we continue our choreographic research SPK (der Sommer-Phuong-Komplex, see below), and you bring gold home! ^^
Happy experiencing a new world of performing sports! An extremely beautiful competition hall with more than fifty nations competing. There were six fighting areas, many female referees and most interesting set up that during fights, coaches are allowed to sit behind a counter feedbacking and screaming advices, as from the outside they often have a better view on how to undo the complex Ju Jitsu drills. If you want, these locks look like a forceful killing embracement.
All para fights took place on the last day. Fungis opponent was a male fighter on the autism spectrum. It was important to know, as the para categories are put together by the official board and coaches, so that restrictions are relatively equal, and both fighters have a realistic chance to win. There was valuable briefing from Yakup Mutlu, a fighter himself, and Fungis dear friend and adviser to prepare her strategy. She hardly warmed up I wondered. It was all about mind setting, and became a beautiful fight. Two rounds. They both were so utterly present, like big cats spiraling. At the start one of the Brasi fans loudly macho laughed, seemingly shouting ‘you get her down in a second’, but Fungi submitted his companion in two rounds of three. The whole Brasilian team, and biggest BJJ para-organizer worldwide, were deeply fascinated by her dance-like style. Later in the day I documented the award ceremony, a.o. the Brasilien First Lady handing over gold medals, and one for Fungi! ^^
All in all I took more than 2000 photos, some videos and soul supported when possible. It definitely was a sweat producing challange, in such a testo-loaded sport event. We both admired the Mongolian and Kasachstan athletes like teenies.
The more I enjoyed running around as accredited  photographer, being allowed to the edge of the tatamis, and highly aware of fighters crossing the outlines to quickly jump away.
The camera was my magnifying glas. Observing the rough take downs closely, feeling into, anticipating attacks and dramatic facial expressions after submission. Especially I liked the protocol before and after the fight. Bowing and respectfully shaking hands, that’s what I learned to little in ballet training – the sporty team spirit!  One of the club board leaders told me, to shoot the as much as possible emotional snap shots for the German team, they appreciate it a lot.
For the choreographic research I am still pondering how to structurally access this form further. There is a lot of floor work, and so called ‚Duo’s’. Set sequences judged by realistic self-defense elements. One scenario for example was a person in a wheel chair taking down someone standing.
Anyway I am looking forward to take a few classes, and wonder if there is a queer, BiPoc fightclub in Berlin, to hopefully duet further with what Fungi and I started at Ada-Studio this year.

With many thanks to Senatskanzlei für Kultur und Medien Berlin / Tanzpraxis for the support of my choreographing research, and to the DJJB (Deutscher Ji Jutsu Bund).

As long as you want

Coaching ropes and choreographic kink for Sheena McGrandles new work
‘As long as you want’.

Opening: Wed 6.11.2024 at 20.30pm / Hau2
+ 7 + 8 + 9.11. at 20.30pm

The duet “as long as you want” by Sheena McGrandles and Eli Cohen is a choreographic study of lesbian temporalities. The work is inspired by a body of erotic fantasy literature – assembling a cross-temporal arch of female poetic voices. Ancient poet Sappho meets contemporary thinkers such as Anne Carson and Sara Torres, alongside kink and punk practices, including Shibari, gay shadow dance, and pogo. A personal exploration of desire unfolds in a pastel-coloured landscape, with patches of digital renderings and densely knotted denim structures developed together with the visual artist Anna Mirkin.

Through intense physical connections and ambivalent sensations an ongoing choreography of fractured spaces of dis/attachment emerge. Together the performers’ solo bodies meet and melt in a world of never ending waves, rough play, and figures caught in a horizon of want and longing. In this temporary cycle of swellings and throbbings, desire transcends its fleeting nature, revealing transformative, perverse, and polymorphous forces. Playful and engaging, “as long as you want” is a profound choreographic encounter with an impulse of moving toward someone who isn’t yet close enough.

Cast:
Concept, choreography and performance: Sheena McGrandles / Performance by and with: Eli Cohen / Music composition: Stellan Veloce / Dramaturgy and Co-concept: Mila Pavićević / Set design: Anna Mirkin / Costume design: Evan Loxton, Nina Loxton /Light design: Elliott Cennetoglu / Choreographic Outside Eyes: Martin Hansen, Claire Vivienne Sobbotke / Shibari Practice with: Dasniya Sommer / Production: Anna von Glasenapp / high expectations / Production Assistant: Katharina Joy Book / Social Media: Dalia Hassan / Distribution: Paz Ponce / Thanks to: Nattan Dobbkin

War Games – Münchener Kammerspiele

 

Sehr besonders 16 junge Performer*innen für ‚War Games‘ von Skart zu choreografieren. Wir haben viel diskutiert wie Jugendliche mit Seilen arbeiten können. Wo Sinnlichkeit anfängt, was das Handwerkliche an Seilen für junge Menschen wertvoll macht oder wie kollektives Knoten einen klaren Gruppenfokus schaffen kann. Schön zu sehen, wie behutsam und caring die Teen-Performer*innen miteinander umgehen. Der Vibe, der untereinander entsteht, wenn zB. 10 von ihnen einen verbinden, durch den Raum tragen oder auch welche Gebilde sie aus den Materialien basteln. More to come!

Ein Projekt von SKART & Friends mit Kindern im Alter von 12 bis 14

Theater der neuen Generation Das ist kein Kindertheater und auch keine Erwachsenenunterhaltung, sondern eine Performance für alle. Das Kollektiv SKART und die Kinder reden über „Erwachsenen-Themen“. Dabei sind sie radikal gleichberechtigt.
Sie beschäftigen sich mit aktuellen gesellschaftlichen Diskursen und machen auch vor dem Thema Gewalt nicht Halt. Was ist Gewalt? Was macht sie mit den Menschen? Und was haben die Kinder aus München dazu zu fragen und zu sagen?
Ein gleichermaßen künstlerisches, pädagogisches und soziales Vorhaben und auch ein Beitrag zur gesellschaftlichen Debatte über den Umgang von Erwachsenen mit Kindern.

SKART ist im Bereich Kinder- und Jugendarbeit eine der innovativsten Gruppen der deutschen Theaterlandschaft. Ihre Theater-Performances sind inspiriert durch Bildende Kunst, Body-, Sound- und Video-Art und Zeitgenössischen Tanz. SKART

Stücke sind augenzwinkernd humorvoll und spielen empowernd mit Tabuthemen, die Erwachsene Kindern gerne mal vorenthalten.

SKART & Friends Mark Schröppel (Performer & Theatermacher), Stephan Janitzky (Künstler), Charlotte Heidenreich (Performerin), Dasniya Sommer (Tänzerin & Choreografin), Janne Plutat (Kostümbildnerin), Anton Kaun (Video- & Noisekünstler), Lea Letzel (Künstlerin & Pyrotechnikerin), Deniz Khan (Musiker)

Premiere : 26. Juni 2025
Therese-Giehse-Halle / Kammerspiele